At Seattle Bookfest in late October, I found myself chatting with a gentleman at the Book Club of Washington booth about their organization. “Are you a collector?” he asked me. “No, not really,” I muttered. ”Do you have more than 3 books at home?” Sure. Of course. Who doesn’t? Is it that easy to be a collector?
It’s surely not a fair impression, but I’ve always equated “book collector” with someone who buys volumes (often historic or otherwise singular) in pristine condition (or has them restored), then puts them on display in some elegant fashion. I sit at the other end of the spectrum. I have many hundreds of books, but they’re all over the place, some on the floor, many on shelves, some piled on the tops of said shelves. Some are new, some are old. Some are immaculate, some are verging on tattered. But it is, I suppose, a collection. If a random, unorganized, somewhat motley one.
When it comes to adding books to this collection, that’s equally random. Many show up on the doorstep, of course, as did the delicious The Grand Central Baking Book this past week. Which was delightfully frustrating only
in that the book did not come with an accompanying piece of that Lemon Crumble Tart on page 126. I also received last week the new Coco
book from the artfully-inclined publisher Phaidon. In it, 10 master chefs from around the world (including Alice Waters, Fergus Henderson, Ferran Adrià and Mario Batali) each picked 10 chefs they feel are on the cusp of greatness, contemporary chefs that will be tomorrow’s masters. It’s a luscious, inspiring, diverse volume that is equally cookbook, culinary narrative and travelogue, with wanderlust-inducing destinations to add to the food life list. And it was great to see Seattle’s own Kevin Davis among the chefs profiled, a choice of Mario Batali’s.
Because of the existing overload of books I already own, I don’t scour bookstores–new or used–nearly as much as I used to. Now and then, I will, unable to fully shake the habit. And I usually gravitate to the old, the quirky, the unexpected, the nostalgic. I seem to have a thing for the 1950s given the number of my books–including a Ford Motor Company collection of recipes from drive-worthy destination restaurants and Esquire’s Handbook for Hosts*–that were published back then.
But as I first started reflecting on my oddball book collection for this post, it just happened that the first few books I reached for had a common theme. So it’s prompted me to start sharing occasional peeks at the books that surround me in this office. Starting today with the animal kingdom.
Take the Wolf in Chef’s Clothing book I picked up somewhere along the line. It was first published in 1950 by the Wilcox & Follett Co. publishers in Chicago. Billed as “the picture cook and drink book for men” (men, those wolves!!), it takes the picture-worth-a-thousand-words ideal to the extreme. Recipes never list quantities such as “2 teaspoons sugar” instead showing a sugar bowl showering its contents into
two spoons. Hard to get any simpler than that! Recipes include Welsh Rabbit (rarebit, but who’s counting), C’est la Vie Canape (cream cheese-roquefort stuffed celery stalks) and even Crêpes Suzettes. Picking the book up again, I realize it bears some resemblance to the Look & Cook cookbook series I worked on with Anne Willan. Which itself was inspired in part by another volume in my shelves, La Cuisine Est Un Jeu d’Enfants
(Cooking is Child’s Play). My 1965 copy includes both original and translated text, complete with forward by Jean Cocteau!
Another animalistic food book I have is less cookbook, more “food as decorative art” inspiration. L’Artichouette (which seems to be out of print)
has this wild bird-like creature on the cover, with radish-slice eyes, that exemplifies the transformations found within–in this case an artichaut (artichoke) into a chouette (owl). Get it? Arti-chouette? (Chouette is also slang for “cool,” so gets extra mileage in the title.) I picked this up in France years ago, in fact it still has the Librairie Gourmande card and facture tucked inside. The introduction references everything from the grand pièces montées of the 19th century to holiday gingerbread houses as examples of metamorphoses from food to art or structure. I haven’t tackled the carrot-race-car or palm-tree-pineapple, nor any of the creations, to be honest. It’s more a reminder of food as a source of endless artistic creativity. A more recent twist on that theme, Play With Your Food takes it to a different extreme, less manipulating the food by trimming and cutting, more finding the hidden faces, creatures and other features that fruits and vegetables naturally serve up.
Last, a sweet, simple little book that I came across in the vast cookbook collection at Château du Feÿ when I was helping Anne Willan determine how to prioritize the 4,000-plus cookbook library there prior to their move. A few books that ended up in up-for-grabs pile caught my eye, this one included. I mostly loved the title, since I haven’t been to Norway and have not, in fact, eaten anything there. And the determined look on that chef’s face. Inside, most recipes are in that very simple brief-paragraph narrative form, including fylt kaalhode (stuffed cabbage) sursild (sour pickled herrings) and risengrøt (rice porridge).
Motley, indeed, these books I surround myself with. And with my office redo imminent, I’ll be pulling each and every one from its shelf for safe keeping while floor, walls and new furniture are attended to. Seems an ideal time to purge a few from the collection. But my money’s on 99 percent of the books coming back to the new shelves. Old or new. Quirky or not. There’s something to relish in every single one of them.
* I offer links to older books as available, though these often represent reproductions of the original volumes. I think it’s far more fun to have a copy that dates to or near the time of original publication. More authentically nostalgic with its yellowed pages, dog-eared spine, likelihood of having passed through the hands of at least a few cooks and hosts over the years.



the morning, typically Victoria: incoming float plane and a Black Ball ferry heading in from Port Angeles. Outgoing whale-watching trip (that bright orange boat center) and a tugboat on some mission or another. It was late morning by the time I was done with
corn, garlic, hints of chipotle), a 1-piece salmon and chips (huge portion! their hand-cut, twice-fried chips are outstanding, as is the homemade tartar sauce) and spicy Pacific fish sloppy joe (small pieces of fish in a light sauce, with aïoli and lemon pickled onions). Notice the wood utensils offered, definitely no effort spared to keep the environmental footprint to a minimum. Can’t wait to return to try the tacones, barbecued oysters and other selections.
eggs — with honor-system prices noted. So charming!
Those trees are able to produce, now, about 30% of the cider-making needs, the rest coming from other sources in British Columbia. Over the years, as the trees mature, the goal will be that Sea Cider will become an “estate” cidery, with all their apple needs coming from this property.
Little surprise they were shooing customers out a bit early that afternoon to get ready for a wedding, a lovely spot to tie the knot.
Our time on Vancouver Island was capped off in grand style with a Sunday afternoon at Feast of Fields. I’d been hearing about this annual local-foods indulgence for a number of years, from my friend
throughout BC. And Victoria Spirits with their gin, some local breweries and a teamonger. No trouble sating ourself with (sometimes return visits for) late summer gazpacho with vodka-pickled Manila clams (Marina Restaurant); blackberry-walnut baklava (Providence Farm); local Red Fife wheat blinis with Cowichan Bay smoked duck (Fairburn Farm); grain fed beef burgers with ale-braised onions (Spinnaker’s Brewpub); pastry cones with wild mushrooms and smoked goats milk crème fraîche (Sooke Harbour House) and even lovely little mini gluten-free wedding cakes (VinCoco Patisserie). Man alive, it was a lovely afternoon of grazing on the farm. So pleased to finally make it to that celebrated event; I highly recommend trying to plan a mid-September trip to the Island to partake.
the chance to watch the farm’s herd of water buffalo parading from the field up to the milking barn. We walked up later to visit with some of the young’uns who are still housed in the barn until old enough to join the others. Before long, we were off, heading back to Nanaimo for the ferry trip back to the “real world” on the mainland.
time, however, was the speculation of “somewhere in the south of France” from one of the tea folks I spoke with.
Based on the panache of the packaging and the pedigree of the founder, I instinctively reached for the fine mesh tea strainer I was going to use to brew a sample cup. Loose-leaf is the purist’s path to a perfect cup of tea, right? (I’m saying that as a coffee drinker, mind you, as in “I think I heard that once…”) Surprised was I to find the teas in these boxes come in individually sealed sachets. I had to laugh when I read this clarification on the side of the box: “Our roomy, relaxed fit [!!] sachet encourages greater full leaf expansion to give you better flavor.” So apparently it’s the best of both worlds–loose leaf tea that just happens to be corralled in a tidy pouch of delicate mesh.
asked if perhaps it was another book she was thinking about, secretly sure she was muddling her memory.
I picked up some chuck at the store, dutifully trimmed and ground it. Then following her steps for Bifteck Haché à la Lyonnaise (with onions and herbs), added the sautéed onion, thyme, egg and softened butter she calls for (being fresh out of bone marrow or beef suet). While I did spend a lot more time on those 4 or 5 burgers than I would have buying a pound and a half of ground beef, the flavor really was a few steps above the norm. Not just the flavor, but the texture too, so toothsome, resistent, juicy. My only quibble with Julia’s method was the final coating of the patties in flour before cooking; I found it just encouraged sticking and burn potential, I preferred the unfloured version.
to the pan, reducing quickly to a nice sauce. Simple in presentation, powerful in flavor.
Sometimes I presume that everyone does all the same little tricks in the kitchen that help make our cooking lives easier and more efficient. Like laying down a dampened paper towel under a cutting board to keep it from slipping around on the counter (though my no-skid KitchenAid cutting board makes that unnecessary). Or using the side of a broad chef’s knife to first crush hazelnuts a bit before trying to chop them, avoiding the whole nuts rolling around on the board.
Then the paste is covered with another layer of plastic, a bit larger than the first to allow for covering the mounds. I don’t obsess about there being no little pockets of air, but do my best to seal the outer edges and envelop the tomato paste as well as I can. Then into the freezer on a flat surface until frozen solid. At that point, you can bunch up the sheet and store it in the door nook or some other out-of-the-way spot. Next time you need some tomato paste, just cut around a mound or two with scissors, peel away the plastic, and you’re good to go.
Friday night reservation, considering how comfortable you are with how much dinner’s going to run you.
So I flipped back to the article’s intro and found, indeed, the selections were framed as “great places for spending your hard-earned cash. That means everything from casual Thai joints…to fine restaurants where you’ll have a once-in-a-lifetime meal.” Ultimately, a dining guide that crosses different budget thresholds.
the high price was–while still not at the “no object” level–not enough to keep me from walking through the door. (By the way, these photos are from random splurge-worthy meals from recent past: Crush, Le Gourmand, WD-50, Dahlia Lounge, Sun Sui Wah, and Rover’s.)
chosen for my husband’s birthday dinner (which, annual tradition has it, is always celebrated in Vegas). I’d booked us at
was out of this world. Like I said earlier, splurge-worthy dining most always comes with advance planning, mentally shifting into gears for the experience (and expense). I do plan that we’ll dine at Joël Robuchon one of these days, and if there’s any place where it can be spur-of-the-moment, Vegas is it. One more royal flush jackpot and we’ll be there with bells on! (My first such jackpot landed us at Nobu and sipping a bottle of Billecart-Salmon rosé Champagne!) I wasn’t quite prepared for the spontaneous splurge on that snowy night in Vegas last year.
After all, when budgets and bank balances rule the day, we can’t get so swept up in the anticipation of indulgence as to let spending get out of whack. Which is why I very sadly had to cancel one unique dinner reservation for next month. I didn’t watch much of the Top Chef Masters series, but did catch the last two episodes. Rick Bayless’ winning finale menu was amazing, inspiring. Like many viewers, I just stared at the screen thinking “Man, I want some of that!” So when Rick tweeted that he was going to be making the winning menu available at his Chicago restaurant 